I just finished filling my new Folio palette from Art Toolkit and I thought I’d list all the colors here so you could see them.
Full disclosure: I’m an ambassador for Art Toolkit and I was sent this palette for free — however, I’d have purchased it myself without question — I’ve wanted a palette like this for years!
I can’t tell you how much I love all those mixing areas! I plan to use the biggest mixing pan for skies, the smaller one for greens, and the mixing area on the lid for everything else. Here in Texas where I paint things dry super fast, so it will be so great having plenty of room for mixing big puddles of color.
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I’m thinking of this as my “curious color exploration palette” — it has some tried and true favorites plus some colors that are new to me. This palette also has one color that I blended myself from commercial paints — more about that below.
A note about the pans: the mini pans are 1/8th of a regular “half pan” and the larger ones are called “standard” pans and are a 1/4th the size of a regular “half pan”. As I work with this palette I may upgrade some of the minis to standard pans and take out others — that’s the fun of exploring color.
Now meet the colors, starting from top left and going across by the standard pans in the row. Note: I’ve listed all the colors using the Daniel Smith names when possible, although I have a mix of brands here. I noted the pigment numbers as I’ve learned to always go by them instead of the color name as it varies between brands. (Don’t ask me how many tubes of PR209 I have! lol!)
First row:
- Hansa yellow light (PY3)
- New Gamboge (P797, PY110)
- Two mini pans of Hansa yellow medium (PY74) — one to keep clean and one to use for mixing — I saw this on the Art Toolkit instagram feed and had to give it a try!
- Raw sienna (PBr7) (I might switch back to yellow ochre here, we’ll see!)
- Naples yellow (PW4, PY97, PR101)
- Quinacridone gold (PO48, PY150)
- Cadmium red light (PR108) (this one is DaVinci, it’s similar to DS Cadmium red scarlet hue)
- Quinacridone coral (PR209)
Second row:
- Quinacridone rose (PV19)
- Permanent alizarin crimson (PR177, PV19, PR149) — so many books refer to alizarin crimson so I had to see what it was all about!
- Deep scarlet (PR175)
- Cerulean blue chromium (this is PB36, cobalt turquoise by DaVinci Paint. It behaves differently than the DS version so I thought I’d call that out to you)
- Cobalt blue (PB28)
- Ultramarine blue (PB29)
- Phthalo blue (red shade)
- Phthalo blue (green shade) — I put both of these in my palette so I could decide which I prefer once and for all :)
Third row:
- Carbazole violet (PV23)
- Bloodstone genuine
- Phthalo green (blue shade) (PG7)
- Perylene green ( PBk31)
- Desert green, that I mixed using cobalt green (PG50), cobalt teal blue (PG50), Chinese white (PW4, PW6), Potter’s Pink (PR233) and a tiny bit of phthalo blue green shade (PB15). Yep, I broke all the mixing rules here!
- Lunar earth (PBr11)
- Transparent red oxide (PR101)
- Indanthrone blue (PB60)
- Neutral tint (PBk6, PV19, PB15)
Here’s a closer look at the super granulating desert green I mixed:
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I was inspired by DS undersea green, but here I was going for the color of cacti, agaves and yuccas — it’s so hard to mix in the field! To make the custom blend I squeezed some paints from the tubes on a plate and then used a palette knife to mix them together. It looks great mixed with perylene green and a little more phthalo blue, too.
Let me know if you have any questions! — Lisa
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